Expectations of Genre

Why must we assign genre to everything?

Although it’s convenient to use as a descriptive tool, I’m not sure that assigning a genre to various arts is really all that productive.

Take Rock and Roll. As a genre, this description is all tapped-out. What does it mean? Originally it described a popular musical style in common time with the emphasis on the third beat and a back-beat. So many things I hear described as rock since I was a kid doesn’t really fit that original description, and the assignment of further sub-genres only muddy the waters further. Country Rock, Southern Rock, Psychedelic Rock, Punk Rock, Progressive Rock, and Post Rock. What the hell is Post Rock supposed to mean, anyway? Is it like Post Modernism, any rock that occurred after the advent of Rock? Like saying that something is Jazz, or Abstract Expressionist for that matter, it doesn’t really say anything useful about the art, and it sets up an unrealistic expectation.

Artists are often eclectic, bringing in influences from their experience and melding them with their own style, standing on the shoulders of giants in new and different ways. Art is rather like a conversation and can be very much like language. The phrases are used in new ways and combine to form new ideas. So a truely original artist, like those I usually like to experience, would have no genre but their own. Often, they are a collage of styles that escape genre. When an artist has a “breakthrough moment”, doing something that no one else has ever done, genre doesn’t allow for this.

Genre description can have positive effects, don’t get me wrong. If you want to attract the self-styled “Rocker”, using Rock as a genre may be useful. But it can be a turn off too. Recently I had a friend who wouldn’t even listen to anything I suggested to her. I couldn’t understand it until she told me that it was because I’d described it as “Progressive”. She likes a lot of music that can be assigned to that genre, but she takes offense at the term itself. An isolated incident, surely, but it got me thinking.

Personally as an artist I’m all over the map. And I bring all my influences from many different genres together, hopefully in new ways. I’m not so sure that assigning a genre to my work does it service.

How does the assignment of genre affect you as an artist? As a consumer?

Indie Music Videos

On Twitter I follow some phenomenal independent musicians. I thought today, why not post a few of the favorites that I have on my YouTube channel? So here they are:

From NAIL, Niel Alexander shows how improvisation and tone can trump preconception of instrument.

Matt Stevens’ new vid “Eleven” shows this extrodinary talent in a new light, even using glockenspiel.

JT Spangler is a modern troubador, and shows us a little of his great songwriting and performing abilities.

Thanks guys, you are inspiring to me, and I hope you continue to inspire!

Metablog Week? What!? Aw Yeah!!

I’m totally new to blogging, so imagine my surprise when I found out that there was a Metablog Week, a week in which bloggers post about blogging. I ran across this quaint concept over at the Sakeriver Blog. Mike was able to explain the concept, and how he was using the opportunity to metablog about why he blogs.

Well, it’s pretty simple why I’m blogging: I just wanted to learn wordpress. By having a blog using wordpress I’m better able to provide guidance to others that would like to start a blog, primarily those that rely on me for guidance on designing their websites and using the internet for marketing. Over the last few years I’ve had to pick up a lot of information on such marketing, and one thing I hadn’t tried was blogging. So, there it is.

But in blogging, I’m forced to write. I’m so damned rusty at writing anything creative that I’m still finding my voice, as I’ve said before. Scatterfilter indeed, I’m all over the place! Sometimes I think I really need more filter and less scatter. But I go on, and write, and post, and in doing I remember why I write: because I’d like to read certain things that aren’t being written. Rather like Tolkien and Lewis, but I only share their inspiration, not their talent. So I post my moon tales and snippets of game fiction and rant and rave about stuff chaotically.

Better writers of blogs abound: just look at some of the blogs on my blogroll. I’m still unsure of the etiquette too, so I haven’t linked other more famous blogs like Robin Slick’s great blog. I love trolling around the blogosphere now, and come across all kinds of great stuff. It’s an interesting time for a writer.

So, thanks for reading, if anyone is, and know that, in theory, I should get better. And if you don’t blog yet, give it a shot. It’s kinda fun!

Drivin’ Skillz

The other day I made my first all day foray into dense urban driving in many years. I failed miserably.

Now, I know it could have been much worse, an accident or a moving violation could have occurred, and we survived without a scratch, but I like to make my passengers comfortable, and in that I failed. It seems that driving in dense city traffic like that these days requires you to constantly violate traffic statutes, which I did. I felt wrong about it every time.

So I was pretty doubtful of my driving abilities for the last few days. Had my judgement been impaired? Were my reactions off? Was I just getting old? I was taking a hard look at my decisions and approach to driving.

Of course I’d had no trouble on the road in that period of time. Until yesterday. I correctly percieved the parking lot that I80 had become, and quickly devised a detour. Through the mile and a half before the exit to the detour, I cleverly kept the car in 1st gear not tempted to keep my front bumper on the bumper of the next car, and kept the car moving. My detour was perfect. A few people must have been confused because about halfway through it I found traffic slowing, but not stopping. Never the start-stop pattern of gridlock. When I was able, I took a less travelled road that apparently no one else hadn’t thought of, and sailed right through to my destination.

This has redeemed my driving skills in my eyes. My judgement was perfect, as were my reactions. I might indeed be getting old, but I’ve identified my problem: I’m not a big city driver, I’m a rural/freeway driver. And a damn good one at that.

Eratosthonean Hospitality

Hazel felt relieved when she saw the dishes and mast of Eratosthenes Dome poke up over the escarpment.  The front left motor of her surveyor wasn’t going to last much longer, according to the temperature readouts. Something was seriously wrong with the wheel; she knew that the motor was due for a rewind.  It only put out about half power, and nearly got her stuck out on the plane. She nearly called the company for a tow, but, thinking that she could save everyone the expense, she nursed the surveyor onward towards home.

But home was still a long way from here.  She could hope for a fuel cell recharge and, perhaps, a little entertainment in the little dome outpost.  The company would likely take it out of her salary, but it was better than the cost of that tow.

The radio chirped for her attention, likely the local traffic controller.

“United Surveyor 261 here.” She answered flatly.

“What’s your biz 261?” a voice phase-shifted back, sounding like it came out of a tin can with a wire.

“In for supplies.  Need some rest.”

“How long 261?”  The voice drawled on, obviously he needed some rest too, or maybe some exterior stimulation.  It could get pretty dull monitoring the surrounding area for radar contacts.  She knew from experience.

“24 hours.  Need to get down to Copernicus for an overhaul.”

The static crackled for a few moments while the controller conferred with whatever authority he needed to.

“You are clear 261.  Proceed to docking ring 10.” The contact cut off with a short squawk.

“Yeah, and have a nice day too,” she added.

Eratosthenes was a small dome, as community domes went. It held a semi-permanent population of a couple hundred or so, she guessed. She wrestled her surveyor to the docking ring and cycled the lock.

The air in the dome was none too fresh, but after a few weeks locked up in the surveyor, it was like a sea breeze.  She secured the lock and made her way into the narrow port in the back of the docking ring, climbing down the ladder into a more human-sized corridor. She arranged the hydrogen and oxygen transfer to her surveyor from the dock terminal. The cost wouldn’t be too bad since it would be offset by the exchange of water that had been produced by her fuel cells. Her company ID was recognized and credited. She decided to go looking for a distraction.

The station had a central atrium and corridors radiated from its center to the outer rings. She headed into the interior, through what was apparently living quarters. It was cluttered and rather filthy. Its denizens tended to leave their doors open for air flow, and a strange mix of odors born of cooking and other activities wafted from the rooms. Nosy neighbors watched her carefully as she passed, none acknowledging her existence in any way, save as a potential threat.

Unaccosted, she found her way easily to the central atrium where several venues lined its circumference. Hypnotic music thumped from a small club, the Primal Sieve. It got her moving, and she found herself drawn into it.

A haze of smoke filled the space, which would normally make a life support professional pretty pissed. Somehow, despite its size, the station had produced a gathering of dancers on the floor in front of the stage. A DJ was orchestrating a great mix from an array of samplers and turntables which was based on Fallen Angel’s classic throbmuzic standard Where the Hell is Heaven, adding a shriek of some kind of animal strategically for emphasis along with a whole new forest of percussion. The subsonic base pulsed through her as she bellied up to the bar.

“What do you need, sweetie?” the bartender asked, her eyes were cheerful, yet tired as she checked Hazel out.

“Just another life,” she responded, “but a beer would be fine.”

“We don’t have any new lives on tap, but we do have the beer,” the bartender chuckled. She gave Hazel a wink as she pulled a draft for her.

Hazel was flattered by the attention, but she didn’t go that way. She collected her beer, making her way across the floor to an unassuming booth in the corner, weaving through the entranced dancers.

An elbow went into her arm, sloshing a good dollop of beer on the dancer and the floor.

“You bitch!” the girl exclaimed. She was bulky and clumsy, obviously fresh from Earth. It took a while to get used to the low gravity, but this girl was huge. She was probably just as clumsy in one gee as three.

Hazel stood her ground, staring back at the big girl calmly. “Sorry, but you backed into me. You should really be more careful.”

“What was that, Bitch?” the girl asked incredulously, “You can’t be serious, ‘cause I will take you out!” Her pupils were dilating hard; obviously she was on some kind of stimulant. That just ticked Hazel off even more, but she didn’t want any trouble here.

“Look, why don’t you just continue dancing with your friend there. You’ll dry off in a few minutes.” She flashed a quick smile, and turned to go to the table.

The girl growled and lunged at Hazel.

Hazel saw the telegraphed roundhouse years before it arrived, and seeing how off-balance the girl was, it was easy to dodge and catch her arm, pulling the girl forward and over. The big girl sailed in a lazy arc across the room, pushing into another pair of dancers, and knocking the three of them down in a pile. The couple picked themselves up almost immediately. No one was seriously hurt at all.

But it had really pissed off the Earth girl. She scrambled up, bouncing a little too high into the ceiling, and coming down a little shaky on her feet. She obviously wasn’t used to being on the humiliating end of such exchanges, and was looking for payback. She launched herself like a rocket.

Crap, thought Hazel, I don’t need this. She took a little hop into the air, coming up to the ceiling and rebounding down. The girl was in mid-flight, unable to change course, and was directly beneath her when she came down hard with both feet, one solidly on the back, the other in the back of the girl’s head, driving her into the floor. She bounced lightly away. Lunar ballet was an art, surely.

The girl gasped, the wind was knocked out of her. “I’m gonna do you for that,” she muttered, reaching for the pouch at her waist, but a bouncer descended on her.

Hazel’s eyes never left her opponent, but arms enfolded her from behind and the bouncer trapped her head in a full Nelson. He was big and strong, obviously a native. She didn’t struggle. “All right, you’ve got me. I don’t want any trouble.”

“Looks like you found some anyway,” the bouncer said. “I know you didn’t start it, but I have to put you out.”

“Yeah, yeah, let’s go,” she said, allowing the bouncer to push her to the entrance.

Out in the atrium again, he let eased up and let her go, seeing her new friend tossed out on her dirt-loving face. She had been stupid enough to resist. She looked up at the bouncer. He wasn’t bad looking, she thought momentarily.

“Nice moves,” he said. “You really shouldn’t pick on the new meat though.”

“Believe me, I didn’t want to.” She looked him over a little, then offered her hand. “I’m Hazel. Do you know a quieter place to get a drink?”

He laughed and shook her hand.  “Name’s Roger. You buyin’?”

She flashed a smile at him, “Of course. I’ll twist your arm….”

“Oh. Uncle,” he said wryly.

Next: All Work And No Play